Famous songs range from ballads below 70 BPM to tracks above 170 BPM. This list sorts 40 recordings by approximate beats per minute for practice, workouts, DJ sets, and production.
BPM measures the underlying pulse, not every note or drum hit. See how beats per minute measure musical speed for the essential background.
Figures refer to studio recordings, not live versions, covers, or remixes. Values are rounded because detection methods can disagree slightly. Tempo-changing tracks cannot be represented perfectly by one number.
| Approx. BPM | Song | Artist | General tempo feel |
|---|---|---|---|
| 46 | Nothing Else Matters | Metallica | Very slow |
| 54 | Like a Stone | Audioslave | Very slow |
| 63 | Perfect | Ed Sheeran | Slow |
| 66 | Something | The Beatles | Slow |
| 72 | Bohemian Rhapsody | Queen | Slow; tempo varies |
| 75 | Hotel California | Eagles | Slow |
| 78 | November Rain | Guns N’ Roses | Slow |
| 79 | In Bloom | Nirvana | Slow pulse |
| 80 | Don’t Stop Me Now | Queen | Half-time reading |
| 81 | We Will Rock You | Queen | Slow, heavy pulse |
| 82 | Boulevard of Broken Dreams | Green Day | Slow to moderate |
| 83 | Come Together | The Beatles | Relaxed groove |
| 84 | Zombie | The Cranberries | Steady rock |
| 86 | Yellow | Coldplay | Moderate |
| 86 | Runaway | Kanye West | Moderate |
| 87 | Wonderwall | Oasis | Moderate |
| 92 | Back in Black | AC/DC | Mid-tempo rock |
| 92 | Can’t Stop | Red Hot Chili Peppers | Funk-rock groove |
| 92 | Creep | Radiohead | Mid-tempo |
| 96 | Californication | Red Hot Chili Peppers | Mid-tempo |
| 102 | Riptide | Vance Joy | Moderate |
| 102 | Let Down | Radiohead | Moderate |
| 108 | Country Girl (Shake It for Me) | Luke Bryan | Upbeat |
| 112 | Toxicity | System of a Down | Energetic |
| 116 | Billie Jean | Michael Jackson | Danceable mid-tempo |
| 116 | Fade to Black | Metallica | Tempo varies |
| 116 | Uptown Funk | Mark Ronson feat. Bruno Mars | Funk-pop groove |
| 117 | Come as You Are | Nirvana | Driving mid-tempo |
| 117 | Smells Like Teen Spirit | Nirvana | Energetic rock |
| 120 | It’s My Life | Bon Jovi | Upbeat rock |
| 123 | Enter Sandman | Metallica | Driving rock |
| 123 | Sweet Child o’ Mine | Guns N’ Roses | Upbeat rock |
| 136 | Thunderstruck | AC/DC | Fast rock |
| 140 | Seek & Destroy | Metallica | Fast |
| 156 | Everlong | Foo Fighters | Very fast |
| 160 | Rosanna | Toto | Fast shuffle feel |
| 161 | The Trooper | Iron Maiden | Very fast |
| 166 | The Reason | Hoobastank | Double-time reading |
| 172 | Blinding Lights | The Weeknd | Fast synth-pop |
| 220 | Master of Puppets | Metallica | Extremely fast |
A database might label “Blinding Lights” near 172 BPM while a listener taps 86 BPM. Both can follow the same recording: 172 tracks the quicker subdivision, while 86 follows a half-time pulse.
Famous Slow Songs From 60 to 89 BPM
Songs from 60 to 89 BPM provide a spacious pulse for ballads, relaxed grooves, and deliberate practice. One beat at 60 BPM lasts one second; at 80 BPM it lasts 0.75 seconds.
“Perfect” at 63 BPM and “Something” at 66 BPM work well for hearing each beat and practising slow chord changes.
“Bohemian Rhapsody,” “Hotel California,” “November Rain,” and “In Bloom” occupy the 70s here. Changing sections or busy subdivisions can still make a low-BPM track feel active.
“We Will Rock You,” “Come Together,” “Zombie,” and “Wonderwall” sound distinct despite their narrow range. Compare more songs with a pulse around 80 BPM.
Famous Mid-Tempo Songs From 90 to 119 BPM
The 90–119 BPM range covers steady rock, pop, funk, and country, from “Creep” to “Smells Like Teen Spirit.”
“Back in Black,” “Can’t Stop,” and “Creep” are near 92 BPM but have different rhythmic characters. “Californication” is near 96, while “Riptide” and “Let Down” are near 102. Use this 100 BPM song reference for more tracks near that midpoint.
“Toxicity” is about 112 BPM; “Billie Jean” and “Uptown Funk” 116; and “Come as You Are” and “Smells Like Teen Spirit” 117. Syncopation, accents, instrumentation, and dynamics explain why near-equal tempos feel different.
Famous Fast Songs From 120 to 149 BPM
Songs from 120 to 149 BPM often feel energetic without reaching extreme speed, though typical tempo ranges differ across genres.
“It’s My Life” is near 120 BPM, while “Enter Sandman” and “Sweet Child o’ Mine” are near 123. Since 120 BPM equals two beats per second, it is easy to count. Find more in this 120 BPM song collection.
“Thunderstruck” sits near 136 BPM and “Seek & Destroy” near 140. Fast subdivisions become demanding even when the main beat is clear.
Famous Very Fast Songs at 150 BPM and Above
Tracks at 150 BPM or higher suit rapid rock, metal, intense running, and double-time dance grooves.
“Everlong” at 156 BPM, “Rosanna” at 160, “The Trooper” at 161, and “The Reason” at 166 occupy this band. “Rosanna” shows how a shuffle can add complexity beyond BPM.
“Blinding Lights” is around 172 BPM, although 86 is a practical half-time count. “Master of Puppets” may appear near 220, but tempo variation can produce lower averages. For exercise, pair these figures with guidance on matching music tempo to workout intensity.
How Can You Use a Song BPM List?
A song BPM list helps compare speed, select practice material, organize playlists, and locate compatible tracks.
Choose a song near your comfortable speed, set a metronome to its BPM, and practise without the recording. Producers can compare groove density or arrangement energy between similarly paced references.
Select tracks that roughly match your intended cadence. Personal stride, exercise type, fitness, and safety matter more than exact synchronization.
BPM narrows the search for transitions, but beatmatching also requires compatible phrasing and beat grids. An 86 BPM track can mix with one at 172 when treated as double time. See how BPM supports DJ transitions.
Why Can the Same Song Have Two BPM Values?
One song can receive two BPM values because listeners or software follow different pulse levels. At 85 and 170 BPM, one reading counts twice as many pulses.
Half-time and double-time readings
Tap 43 beats in 30 seconds and you get 86 BPM. An analysis following twice as many subdivisions reports 172 BPM. Only the counting level changes.
Versions, rounding, and tempo changes
Live performances may drift or run faster. Remixes and covers can use new tempos, while recordings made without a click may fluctuate. Match the artist and version before comparing results.
How Can You Check a Song’s BPM Yourself?
Estimate BPM by tapping the main pulse or counting beats during a timed interval.
Count and calculate
Count for 15 seconds and multiply by four: 29 beats gives 116 BPM. For fluctuating music, count a full minute and repeat in another section.
Test half and double the result
If the result feels implausibly slow or fast, multiply or divide by two. Follow the manual and tap-tempo checking process to confirm the useful pulse.
Frequently Asked Questions
What is the most common BPM for popular songs?
There is no permanent single most common BPM because popular styles change. Many pop and dance tracks sit between 100 and 130 BPM, while other genres fall outside that range.
Which famous songs are exactly 120 BPM?
“It’s My Life” by Bon Jovi is commonly listed around 120 BPM. Published values may be rounded, and alternate versions may differ.
Why is a song listed at both 85 and 170 BPM?
They are half-time and double-time views of the same pulse. Both align with the recording but emphasize different rhythmic levels.
Does a remix have the same BPM as the original song?
Not necessarily. A remixer may preserve, adjust, or completely change the original tempo.
Can one song change BPM while it is playing?
Yes. A song may accelerate, slow down, shift between sections, or fluctuate without a click track. A database may show an average or dominant tempo.
How accurate are online song BPM databases?
Databases are useful starting points, but results depend on the recording, algorithm, rounding, and pulse level. Verify critical values by tapping and confirming the version.
Ethan Walker is a music technology writer and audio tools specialist at Tempo Calculator. He focuses on BPM tools, rhythm analysis, tempo calculation, vocal utilities, and music production workflows for musicians, producers, DJs, and beginners. Ethan writes practical, research-driven guides that simplify complex music theory and audio concepts into easy-to-use tools and educational resources. His work covers tempo matching, delay timing, metronome workflows, vocal analysis, harmonic mixing, and studio productivity for modern music creators.
